Isabella Langer works primarily
with egg tempera,
a historical painting technique known for its luminous color
and fine detail.
2025
Group Exhibition
IHS Josefstadt, Vienna
Curated by Kulturverein Josefstadt
Kunst am Bauzaun
Curated by Helmut Pokornik
2024
Group Exhibition
Malersaal, Theater in der Josefstadt, Vienna
Curated by Kulturverein Josefstadt
Strong Current
KunstQuartier, Vienna
2019/2018
Egg Tempera and Photography
KunstQuartier
2017
Communicating with Screens
Vienna Art Week/ Open, Studio Day
KunstQuartier
2016
Vienna Art Week / Open Studio Day
KunstQuartier
2015
Light Cube
Vienna Art Week / Open Studio Day, Vienna
2014
Die Zukunft der Malerei
Essl Museum, Klosterneuburg / Vienna
2013
Open Studio Day
KunstQuartier, Vienna
2012
Festival der Bezirke
2011
Festival der Bezirke, Vienna
1992
Annual Exhibition
Salzburger Kunstverein, Künstlerhaus, Salzburg
Collections
Federal Chancellery of Austria Art and Culture Collection /
Artothek des Bundes, Wien
Group Exhibition
IHS Josefstadt, Vienna
Curated by Kulturverein Josefstadt
Kunst am Bauzaun
Curated by Helmut Pokornik
2024
Group Exhibition
Malersaal, Theater in der Josefstadt, Vienna
Curated by Kulturverein Josefstadt
Strong Current
KunstQuartier, Vienna
2019/2018
Egg Tempera and Photography
KunstQuartier
2017
Communicating with Screens
Vienna Art Week/ Open, Studio Day
KunstQuartier
2016
Vienna Art Week / Open Studio Day
KunstQuartier
2015
Light Cube
Vienna Art Week / Open Studio Day, Vienna
2014
Die Zukunft der Malerei
Essl Museum, Klosterneuburg / Vienna
2013
Open Studio Day
KunstQuartier, Vienna
2012
Festival der Bezirke
2011
Festival der Bezirke, Vienna
1992
Annual Exhibition
Salzburger Kunstverein, Künstlerhaus, Salzburg
Collections
Federal Chancellery of Austria Art and Culture Collection /
Artothek des Bundes, Wien
Born in Schwanenstadt. Lives and works in Vienna.
Education: Universität Mozarteum, Salzburg, Diploma in Painting
Education: Universität Mozarteum, Salzburg, Diploma in Painting
Press
„Das Betrachten von Isabella Langers Bildern erfordert Zeit und Konzentration. Ihre Werke setzen auf eine Entschleunigung des Blickes. In Eitempera aus unzähligen feinen Farbschichten aufgebaut, erscheinen Strand, Meer oder Figuren wie aus einem Nebel – um im nächsten Moment wieder zu verschwinden.“
— Günther Oberhollenzer, Essl Museum, 2014
